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    New Look Era

    The New Look Era is considered to be the era that lasted from 1940 to 1960. During World War II fashion responded to the restrained mood and economy of the war. Many fashion houses closed during occupation of Paris. During World War II (1939 – 1945), all types of cloth were needed for a variety of wartime purposes, and material for clothing was severely rationed and limited for each year and its number decreased steadily as the war progressed. From 1940 onward, no more than thirteen feet (four meters) of cloth was permitted to be used for a coat and a little over 3 feet (1 meter) was all that allowed for a blouse. No belt could be over 1.5 inches (3 centimeters) wide. Despite this, haute couture tried to keep its flag flying. Fashions of the era emphasized shorter skirts than ever before, buttons for any type of clothes were limited to three per item, evening wear was also shortened and women were encouraged to make do with ankle socks and bare legs.

    Among young men in the War Years the zoot suit became popular. After the war, the “American Look” became very popular among men in Europe. Certain London manufacturers ushered in a revival of Edwardian elegance in men’s fashion, adopting a tight-fitting retro style that was intended to appeal to traditionalists. This look, originally aimed at the respectable young man about town, was translated into popular fashion as the “Teddy boy” style. By the late 1940s and early 1950s, designers were tired of the utilitarian, minimalist clothing of the wartime era. Paris fashion, which had fallen from its position as the capital of the fashion world after World War II, made a strong comeback after the war in part due to the international success of couturier Christian Dior’s first women’s collection “Corelle” which went down in fashion history as the “New Look” in February 1947. His new clothing styles which emphasized rounded shoulders, full skirts, and narrow waists was so successful that it went down in fashion history. The “New Look” became revolutionary, strongly popular and influenced fashion and other designers for many years.

    Three of the most prominent of the Parisian couturiers in the 1950s were Cristobal Balenciaga, Hubert de Givenchy, and Pierre Balmain. Also Coco Chanel’s strong comeback in 1954 after closing different boutiques in the war years, went down in history. She presented a collection which contained a whole range of ideas that would be adopted and copied by women all over the world: her famous little braided suit with gold chains, shiny costume jewelry, silk blouses in colors that matched the suit linings, quilted bags on chains, among others. By the end of the decade off-the-peg clothing had become much more popular than in the past. It was literally the start-shot for the general public to access the fashionable styles for affordable prices.
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